Things got stale; things got flat - stand still too long and the mental rot sets-in. But Donkey's back on the road, and back in the tropics where he belongs. Mrs Donkey's on board, of course, but this time it's all a little different; for starters we've two wee-ones in tow, and this time our new locale features fantastic food - affordable French champagne's a nice little added extra. Bring on the high life, but rest assured the low life will remain an unwavering feature
Sunday, February 17, 2013
Radio Therapy
Saturday, April 30, 2011
They ruin your life
Sunday, February 27, 2011
Funky Town
Saturday, August 07, 2010
Churning and burning: tales of human butter, politics and religion
Monday, May 31, 2010
Hair envy on the islands
The last week of the last millennium saw the rest of the world gathering tremendous caches of canned food products and heading to ground in reinforced concrete bunkers in order to shield themselves from the effects of the treacherous Y2K.
By contrast, the Samoans, who are somewhat accustomed to having a holocaust-surviving collection of canned meat and fish under the kitchen sink at the best of times, and for whom the electricity was hardly ever operating anyway (thanks to fifteen years of ineffectual foreign technical assistance and ongoing, bureaucratic bungling within the Samoa Electric Power Corporation), were disregarding the global call for disaster preparedness, and were preparing instead for the biggest, f’-off fiafia (party) the country had ever seen.
Each day, as the electronic, Millennium countdown clock ticked off its last 604,800 seconds, the Samoa Observer was awash with double page spreads announcing a growing line-up of exciting events and performances, the hurried opening of new bars taking advantage of the anticipated relaxing of the usual midnight curfew on the sale and consumption of alcohol, and international donor assistance to ensure that the last millennium celebration on the planet went off with one of the biggest bangs of them all (quite literally, as it transpired, thanks to China’s kind donation of a NASA-sized payload of expired, unsafe fireworks, which left at least one Samoan citizen looking remarkably like The Thing – but that’s another story for another time).
And amidst all this exciting, noisy anticipation, an additional entertainment option slipped quietly into Apia Harbour one evening, completely under the radar of the Millennium Celebration Organising Committee, in the form of “Bruno’s Magic Circus of Samoa” boat.
Like the grand old travelling road shows of the American Midwest in the forties, Bruno’s steam vessel was painted in garish primary colours, complete with a striped, barber-shop smoke stack and a flapping pennant promising the “Greatest Show of the Millennium”.
Every day for well over a month, the Observer ran an ever-revealing expose of this nod to old-world family entertainment. First it was that Bruno kept animals in tiny cages in the dark hold of his floating menagerie. Later, it was revealed by an international animal rights watchdog (of which no one had previously heard) that Bruno and his floating extravaganza had been refused permission to dock in Fiji on account of alleged inhumane treatment of his performers.
Over the coming weeks, the opinion pieces and letters columns of the Observer moved from one spectrum to the other in support of, and against the travelling, magical circus, with as many prominent local celebrities and politicians throwing their popular weight behind the “great and magical Bruno” as those who renounced him as a shyster and exploiter of innocents.
And through this barrage of newsreel and opinion, whether for or against, there was one act within Bruno’s Magic Circus of Samoa which managed to captivate and thrill the entire population. It was not Bruno’s somewhat malnourished, leaping lions that stole the show, nor was it the Vitamin D-deficient Russian bear with the balancing beach ball on his schnoz. It wasn’t the clown with the narcotic-shrunken pupils and the visible twitch which so melted the hardened hearts of the naysayers, nor the hind-legged walking of the mange-ridden pig which had the supporters up on their feet at intermission. No, the act which really got Samoa talking was Bruno’s incredible enigma, known colloquially as the Hairy Man.
Was this creature man or beast? Was he some prehistoric throwback, or the result of a pharmaceutical company’s genetic experimentation gone wrong? Whatever the answer, it got all the tongues in the country wagging, and everyone, whether doctor or patient, banker or client, lawyer or accused, land owner or tenant flocked to the Magic Circus to view the follicular spectacle.
And like the freak shows of old, Bruno knew how to give a crowd what they wanted. The Hairy Man was available for viewing after every show, where screaming children would writhe in their parents arms in fear of the hairy arms reaching for them through steel bars as the camera snapped away into the night.
And then, perhaps after two or three months, after the crowds had finally lost interest in the Hairy Man, and just before all of the animals expired from the heat and cramped conditions, down came the big top one evening, and just as it had arrived, Bruno’s Magic Circus of Samoa boat chugged silently out of the harbour in the dead of night, never to be heard from again.
Or so I assumed in a world where cruelty to animals is less tolerated than it once was, where unusual looking people are free to participate in society along with everyone else, and where laser surgery exist for even the most hirsute. So imagine my surprise on Day 1 of my return to Samoa, when driving through town, my saucer-like eyes were drawn to a massive sign advertising … wait for it … “Bruno’s Magic Circus of Samoa Training Academy”!
Training Academy!!? What could anyone possibly learn there? Bruno’s circus never had acrobats and trapeze artists; it never had Houdini-types escaping from straight-jackets in glass water tanks; and there were no contortionists or fire eaters. Bruno’s Magic Circus of Samoa only ever showcased a small number of performing animals (which he’d presumably bought for a song after they were forced out of circuses in other countries with laws prohibiting such cruelty) and of course, the Hairy Man.
So what’s really going on up there on the hill, behind those substantial Academy gates? Is it simply an online booking service for acquiring circus animal cast-offs? Or is a somewhat greying and thinning Hairy Man running a whole bunch of new recruits through boot-camp style drills for effective comb-overs? Or perhaps more plausibly, is it simply an international training camp for like-minded entrepreneurs to master the art of media manipulation? - Lord knows that in this pursuit, Bruno has proven himself a true talent of magical proportions.
Samoa continues its fine tradition of superior tertiary education … and sign-writing! Pic: Hagas
Wednesday, April 30, 2008
Subliminal [BUY COCA-COLA] messages
Now let me ask you this; what would you call a fully-grown, so-called masculine Donkey who cries at the movies … while he’s watching a children’s film?
Soft cock! Pussy! Woos-bag! Sook! Wanker! Sheila! … and the list could go on.
But I must confess that while taking my niece to the movies on the weekend to see Horton, the animated Dr Seuss story of an elephant who learns of another, microscopic world on a speck of dust and puts everything on the line to save it, that’s exactly what I did. I became a ridiculous, snivelling, blubbering fool. Quite pathetic, really, and definitely an incident which needs dissecting, ‘cause it’s a pretty disturbing scenario.
Even as a youngster, I was fairly sceptical of my mother’s ban on toy guns. I mean, I might have been young, but I fancied I knew the difference between a plastic piece of shit and a real, working gun, and I never understood or believed that there could be any danger in playing with the former, given I was not the type of foal who was inclined to want to kill anybody.
I maintained this stance for many years, and as a much older Donkey, I remember getting abused to within an inch of my life one evening by an irate taxi driver who’d been listening to talk-back radio for an entire twelve hour shift (enough to make anyone go on a shooting spree, I reckon). After settling myself drunkenly into the passenger seat, I picked-up on the radio topic at hand, which was about Power Rangers and other children’s toys which, according to late night, right-wing consensus, promoted violence. Well, being the all-round great Donkey that I am - the People’s Friend, as I like to think of myself after a few hundred beers – I decided to weigh-in and slur my opinions on the matter, saying, “Awrrr come-on ‘ere a minutsh. Dese bastardsh dunno what dey’re talkin’ ‘bout ‘caush kidsh dese daysh dey not shtupid an aren’tsh gonna fink toysh ish gonna make em do violencsh … hic!”.
What drunken Donkey wasn’t so great at reading at 4am on a Saturday morning was that the driver happened to be one of those “bastardsh” who was sticking with the consensus, and he let Donkey have it in no uncertain terms, demanding what an up-start, drunken, silver-spoon-up-his-arse, Eastern suburbs piece of shit would know about raising kids anyway, to which I responded with a contended snore; and courageously feigned sleep all the way home, just in case he decided to hit me.
Anyway, the point here is that for so long I’ve been pretty unbelieving about the effects of subliminal messages, and it is with that attitude that I took my lovely niece along to see Horton on Saturday morning.
It’s a great movie, I must say. Full of humour, colour, great images, sounds and movements. A great, fun story. Unfortunately for Donkey’s reputation as a fine, up-standing, unworldly, sport-loving homophobe, it also carried a very powerful subliminal message which had such a profound effect upon me as to transform me into a sobbing, weeping mess.
Basically, the movie brought home a lot of the issues that I’ve been dealing with (and which I am obviously far from having dealt with) over the last couple of months. Now forgive my attempt at subterfuge, here, but I have to be very careful with how I say this. Basically, Horton the Elephant, after discovering the town of Whoville, which is a microscopic world living on a speck of dust, comes to the realisation that every life, no matter how small or different from our own, is worth saving, and just because you can’t see or hear it, doesn’t mean it doesn’t deserve to live. Fair enough! But the protagonist in the movie, an uppity Kangaroo, is so reluctant to allow that to happen, for fear of it leading to anarchy, that she is willing to allow … no, encourage out-and-out lawlessness to prevent it.
As the movie unfolded, I couldn’t help but read in that message that the Kangaroo was reminiscent of a very influential, [emerging world economic power] which I have had a bit to do with lately, and that the tiny world of Whoville, out of sight and out of mind on the speck, turned my tearful thoughts to a small [region within that emerging economic power, which is said to enjoy some self-determination].
As I blubbered through the colours and images, I watched as all attempts were made to keep this [so-called, self-determining region], like Whoville, far away from the eyes and ears of the rest of the Jungle of Nool’s animals, for fear that their new and misunderstood ways may change the order of things, resulting in anarchy throughout the [emerging, economic] Jungle of Nool, and in order to prevent this anarchy, I watched as the Kangaroo, the leader of the [emerging, economic] Jungle of Nool, led the rest of the animals of Nool on a rampage of hatred and revenge, inflicting all manner of violence against Horton and the inhabitants of the [so-called, self-determined region] of Whoville.
Some of you will know where I have come from recently, and perhaps you can appreciate that I have witnessed the animals of the [emerging, economic] Jungle of Nool, whipped-up into a fearful frenzy, inflict all kinds of atrocities on the people of the [so-called, self-determined region] of Whoville. I am afraid as I sat, mortified, in that Bangkok cinema on a Saturday morning, that the whole thing was just a little too much to hold in.
Fortunately for me, it was pretty dark in there, and my niece was too wrapped-up in the colours, images and sounds to notice my shuddering form beside her. But clearly there is a message in this film which, if it hits the right mark, can have a very profound effect. It seems that the focus of discussion around subliminal messages is usually on the negative influence they have on young people, but who’s to say that they cannot be used to do some good in the world? While the messages in movies like Horton may go a bit over the top of young kids like my niece, perhaps they will embed somewhere in their brains and hearts which may, as they grow to take their place in their communities, lead to a much better world than the one we are living in at the moment.
Thursday, January 10, 2008
Presentation is two thirds of the meal
The post I'm referring to explored the odd practices of meat vendors throughout the world, and in particular, here in Lhasa, in regards to presenting their wares in order to make them appear more attractive to the consumer. As I described, the practice here is to skin a huge hock of yak right back, but to leave a big shag of fur hanging off the end, which can be sculpted into an attractive, foodie-fashion statement using the tasty morsel's very own juices.
Now on the weekend, while making my way back to the sparse air of Lhasa after spending an awesome week on the beaches of Goa with Mrs. Donkey, I found myself stranded in Kathmandu for an extra day thanks to the rather sinister flight re-scheduling of Air China. Regular readers would be aware that Kath-ers is one of Donkey's favourite cities in the world, so spending an extra 24 hours there was no great chore. After wandering around that enchanting place for the day, taking in all the wondrous sites, sounds and smells, I found myself meandering along the very same, narrow street of Thamel that had been my first introduction to the developing world, coming up on a decade ago.
This happened to be the very same street that I'd referred to in the afore-mentioned post, and at the very end of the street, I was not so surprised to see the exact same, open-fronted butcher shop with the same rickety table outside, its flimsy legs straining under a mound of grisly wares. You will recall my amazement at the glistening, perfectly bled and skinned white flesh of the goat on display a decade ago, but ten years has obviously been good for Adesh the Butcher and his family, because what I was confronted with as I approached his shop, was not dismembered goats, but a number of enormous pigs. And not just any old, garden variety, pink porker with a curly tail, oh no, what I saw as I stood there, agape, oblivious to the on-coming traffic, was this...
OK, OK, the change in Adesh's merchandise was shock enough, but have a look at the colour of that thing – it looked like one of those single, male, British septuagenarians on holidays in Ibiza, looking for a bit of teenage skirt and having overdone it a bit with the rub-on tan on the first day – Porky was completely orange.
And will you have a look at that mohawk – it would make Mr T look like a "damn fool" (oh yes, bravo Donkey, that was magic!). A massive, spiked mohawk right down his porcine back. Incredible! I always did have a hunch that Adesh the Butcher was more artist than gruesome murderer of defenceless beasties, and now I'm certain of it.
It was quite a strange, and I'll admit, harrowing discovery on the dusty streets, and I was shocked for some time thereafter. I can only imagine this form of presentation is all about impressing the would-be shopper, and if that's what turns on the good folk of Old Kathmandu, then all I can say is they've got a lot more to worry about than homicidal royals and Maoist guerrillas. Still, I guess Porky's unusual get-up had the benefit of standing out from the crowd of other dead, partially intact pigs, and I suppose that's what Adesh was gunning for. On the streets of Kathmandu, presentation is definitely the key.
Which brings me to the title of this post, "Presentation is two thirds of the meal", an oft-quoted missive from Donkey, especially when he serves up some steaming bowl of bland-looking (and more often than not, bland-tasting) brown, topped with a jaunty sprig of green, such as some coriander leaves or parsley. Ridiculous really, but the quote is all effective, and puts a sharp stop to any criticisms, which I think you'll agree, is very handy indeed.
The actual origins of the quote are a bit spurious, and if I hadn't had a few beers while writing this crud, I might not tell you that between you and me, I may just have made it up. But be that as it may, it's a part of the cultural landscape now, so there's no turning back, and despite its implausible origins, I think there may actually be some truth in it.
I've already given you the examples of the butchers of Lhasa and Kathmandu, and we've all sat uncomfortably in a restaurant whose entrées alone are way above our means, and wondered why the teaspoon-sized morsels are delivered on plates which, angled in the right direction, can pick-up restricted communiqués between North Korean subs, but if you're still in doubt, perhaps this might seal the deal for you.
There's not much you can do to make a stock-standard, everyday sausage look particularly attractive or appetizing, but a while back, I nearly ended up with a step-sister-in-law (that's another story for another bed time, kiddies) who, trying her darndest to break into the entertainment industry, often took on work as a model in some of your less high-brow "gentlemen's" magazines. On one photo shoot, Shirley (not her real name, obviously) was seen bending towards the camera wearing nothing but a string bikini, holding an ordinary, although incredibly phallic (I wonder if they knew) pork and onion sausage up to her open mouth while looking seductively at the camera. Now I never did get to see the shots which appeared in that particular issue (my subscription must've lapsed), but I hear on the grapevine that the sales of pork and onion sausages went through the roof for a week and a half after the issue's release.
So you see, when it comes to serving up a steaming, pile of crap, presentation is AT LEAST two thirds of the meal.
Monday, November 12, 2007
Indignant spiritual indigestion
But I really cannot understand why other patrons of Donkey's favourite, chilled-out eatery seem hell-bent on shattering the quiet ambience with megaphonic observations of "the thing that's going wrong with Tibet", in a pompous, American East Coast, Ivy League drawl. Try as I might to ignore this twit, by the time it had gone on all the way through coffee numbers one and two, and through the first googy and tomato, I had to get up and stick my head around the corner to see just who this loud-mouthed braggart was actually talking to.
And what do you know? The poor sod who had been stuck listening to this nit-wit for the last hour as he spouted his opinions on why there were no monks at this or that monastery, and why Tibetans are no longer interested in spirituality and the old secrets was perhaps the only person in Lhasa who was not allowed to turn their back on an obnoxious, ill-informed prat. She was the poor, young, Tibetan waitress who, without this job (and all the trials that go with it), would be forced to return to her family and spend a long, draughty winter without a steady fire for warmth. In essence, she just had to endure it.
What else could I do? I gave her an out by calling her over and ordering another Colombian. My incredulous shake of the head was answered with a pleasant, conspiratorial grin, and for a short time all was calm and peaceful in the land, until some more of his countrymen came in and forced me to endure the whole procedure again – this time in stereo! That was it! I scalded my tongue as I downed the last caffeine hit and ducked out of there as Mr New England was proclaiming all the reasons why Tibetans today will never reach a state of heightened consciousness through tantric meditation.
My walk back home, usually very pleasant in the warm midday sun, had been soured. I had been cheated out of my pleasant weekly ritual, and now all I could think about were his last, anger-generating words about heightened consciousness. I was angry 'cause a) it wasn't true, and b) 'cause he was just another ill-informed, Martin Scorsese-worshipping "Boo-dist" who'd been here a week. Besides, of all people, he was the least likely to reach a heightened consciousness through tantric meditation ... certainly a lot less likely than the poor waitress with the bleeding ears.
Besides, what's so special about a heightened consciousness anyway? I've been clubbing - I know what it's like to have all my friends e-ing off their heads and hugging and drooling down each other's shoulders. And I've seen people lying in the gutters off Smith St, blissfully oblivious to the freezing Melbourne rain pelting down around them, or of the warmer, darkening patch around their groin.
And me. I get pissed pretty often, allegedly as a means of reaching a heightened state of consciousness, but I can't say that the results are all that cosmic or spiritual. For instance, just the other night, after about ten Lhasa beers, I got into a heated argument with someone who didn't believe that in the Tom and Jerry cartoons, the only humans are the housekeepers, who we imagine to be big, black, Queen Latifah-like ladies, although all we can see of them are a pair of stripy socks. Strike me down if it isn't true (unfortunately this place prevents me from Google-ing it), but either way, I'm sure you'll agree that neither of us seemed to be approaching Nirvana through our heightened consciousnesses.
Crikey, see what happens when I don't get my quiet, Sunday morning breakky?

Tom and Jerry, the new spiritual quest for weekend "boo-dists" everywhere. Pic: http://www.tomandjerryonline.com



